Award Winning Music Supervisor, Mary Ramos, has helped create the musical identity for over 100 films for the past 25 years.

160205 Göteborg Film FestivalMary RamosMary Ramos has been a Music Supervisor for over 25 years, creatively helping Directors find the best songs and scores for their films. She has helped shape the music for blockbuster features, award-winning independents and passionate documentaries. Along with Grammy-nominated soundtracks and a Guild of Music Supervisors Award for “Django Unchained,” for which she recruited original songs by John Legend, Ennio Morricone, Jamie Foxx and Rick Ross, Tupac and James Brown and Anthony Hamilton, she worked with Quentin Tarantino on “The Hateful Eight” which brought legendary Composer, Ennio Morricone his first Academy Award for Best Original Score and she worked with Reginald Hudlin on his film “Marshall” for which the powerful original theme song  “Stand Up For Something” was nominated for an Oscar. She recently collaborated with Quentin Tarantino on his film “Once Upon a Time…in Hollywood” and is currently at work on Tom McCarthy’s film “Stillwater” as well as a limited series for FX about the women’s liberation movement, entitled “Mrs. America.”


Quentin Tarantino’s ‘Once Upon a Time… in Hollywood’: Deconstructing the Soundtrack

How Mary Ramos Brought 1969 to Life for Quentin Tarantino

“She is the unsung hero of my filmography” – Quentin Tarantino
Episode 155: Quentin Tarantino On The Music Of Once Upon A Time In Hollywood

Quentin Tarantino’s Music Supervisor on 9 Memorable Song SelectionsFrom Neil Diamond’s “Girl, You’ll Be a Woman Soon” to the James Brown–Tupac Shakur mash-up in Django Unchained.

How Quentin Tarantino got the ‘60s sound for ‘Once Upon a Time… in Hollywood’

Episode 144: Mary Ramos, Music Supervisor on Tarantino’s ‘Once Upon A Time in Hollywood’

Cameron Crowe Set to Keynote Variety’s Music for Screens Summit

Artists Shortlisted for Best Original Song Include The National, Jónsi

Episode 31: From “Pulp Fiction” to “Spotlight” – Master Class with Music Supervisor Mary Ramos

Bon Iver pens new song for Zach Braff film

Zach Braff Recruits Bon Iver for Wish I Was Here Soundtrack

How Howard Shore’s ‘Spotlight’ Score Became His Most Haunting Work